Thursday, August 22, 2013

Where Oceans Stop and Touch the Sky


I've seen where many heroes lie

Where oceans stop and touch the sky

My feet have walked the distant lands

And worn and callused are my hands

 

I know which plants are good or cruel

Which beasts are wise or daft or fools

My mouth has spoken many tongues

I've met men famed and men unsung

 

And yet I still have not home

My fate is to forever roam

Through forests, mounts and valleys deep

My eyes may rest, my soul won't sleep

 

So 'pon a path I'll draw my last

For trav'ler's feet do not slow fast

But after that a road anew

Shall open up with burdens few

And though my lungs shall draw no breath

For me there never be a death

Thursday, July 4, 2013

A Fairy-Story

I have been reading a lot f Hans Christian Anderson lately. His style is amazing; he is such a great writer. So I was cleaning my room (yet again) and a little story popped into my head. (That's right. Stories. In. My. Head. Get used to it. Writers habit.)

-The Ash-Girl-
Part the First: The Woodcutter's Daughter
On the edge of a great wood there lived a woodcutter in a small hut. His belongings were few: he owned an iron pot, a wooden cart, along with an ox and a cow, and a bowl of bone china given to him by his wife's sister. The woodcutter's wife had died in giving birth to his daughter, so they lived together. The daughter did not often go into town, but stayed at home and tended the garden. She had pale, tangled hair and her nose was somewhat squashed; yet her voice was sweet and clear; many early travelers who took the road south of the forest would hear her song floating through the morning air.

It came to be that while the woodcutter was felling trees in the wood, a wealthy merchant was wandering through the countryside, passing the house and heard the daughter as she sang a melody while churning butter. He climbed out of the carriage and knocked softly on the door that led into the hut.

"Who is it at the door?" the daughter sang, "be it knight or traveling bard? be it thief or soldier marred? be it scribe or be it ped'ler? be it a native or be it a settler?" and answered it. The merchant was at first saddened that the singer was not half as lovely as her voice, yet her eyes were bright and her face was honest, as homely as it was. He said to her:

"Maiden, I am a merchant who has lost his way. I be not a knight, nor a bard, nor a thief or a man of war. I be not a scribe, nor am I one from town near. I am a merchant from far in the West, and have come to trade wares in a village near a great wood."

The woodcutter's daughter laughed, and it was as musical as her song. "You have come not far from the village. It is but half a day's walk from here, to the north."

"Thanks to you, child," said the merchant, "but I am yet to continue on my journey. My horse is weary and it is nigh dusk. There are robbers along the High Road; I fear for my wares. Would it trouble you to have a guest stay for one night?"

"Certainly not," replied the woodcutter's daughter, "however, there is little room in this hut. You may take my bed and I shall sleep in the shed, for it has a loft that I can comfortably stay in."

"You heart is pure as gold, my lady!" cried the merchant. "Let Heaven shower blessings upon you."

So the daughter led the merchant to where he was to stay, and fed his horse, and locked up the carriage in the cart-house, for it had been built for two. She finished churning her butter and began to cook the supper of that night. Before the dusk fell the woodcutter returned home, his cart filled with wood. Introductions were made, and they sat down to eat. That night the daughter slept in the shed above the cows and the horse, while the merchant and the woodcutter slept in the hut. The next morning, the woodcutter said to his daughter: "I had not time to go into town to sell my wood yestereve; will you go with it and lead this merchant with you to earn some money?"

"Certainly, father," said the girl, and she kissed him on the head and put the ox on the cart to go into town.

Four hours after noon the merchant cleaned up his wares and counted his gold. An abundant profit was made, and the daughter had sold all of the wood as well.

"Well, I must return home now. My father would be waiting for me," sad the girl.

"So he must be," said the merchant, and added, "There is no inn in this town. Would it trouble you if I stayed at your home again until I have no more wares to sell?"

"Not at all," replied the woodcutter's daughter, and e returned home with her. This is how the days went for a month and a day. One afternoon as the daughter was unhitching the ox from the cart after another day of sales, the merchant confronted her, and spoke.

"Little mistress," said the merchant, "I must admit that I am a very blunt man, and here I will say that I have grown to love you over the days; you are good-hearted, and though your face is plain, your voice is beautiful. I have yet to marry, and have been looking for a wife. My home is large and comfortable; both you and your father could come and live with me and we shall marry. We will be very happy there. Will you return to the West with me?"

"I should like to," said the daughter, and ran into the house to tell her father. He and the merchant talked long into the night about the matter, and in the morning the woodcutter told his daughter of what was to be done.

"I have no wish to lay idle in a large house all day, as cutting wood is what I am good at and I enjoy it. Therefore I will not travel west with you and the merchant; however, I will visit you for one week every year. Does that suit you?"

"It does, though I would like to see more of you, dear father," said the girl.

So that day the daughter packed up her things and left with the merchant, and they travelled to the West. A great wedding was planned, and the date for it was set to be six months off.

The woodcutter's daughter felt displaced; she was plain and unrefined, and did not feel comfortable having servants to do the work she so readily did at home. But the merchant was kind to her, and supplied her with clothes and gave her a room to stay in. Also, knowing her love for birds, he once brought home a warbler for her, and the bird would sing the daughter to sleep, reminding her of the sounds of the wood. Yet she was still lonely, and was lonelier still when news came that her father had died of the summer illness. She drifted into a state where she was always half-asleep; she would not eat anything but a handful of dry wheat; she would not sing anymore, and her eyes were no longer bright and glad.

One night, a week before their wedding, the merchant came into her room and gravely said to her, "I had told you once that I was a blunt man. Well now I must say that I have no more reason to love you; your bird sings but you do not; your eyes no longer laugh; you have become paler and thinner; your face homelier and your heart has become cold and unreachable. I have met another girl, one who is prettier than you and sings almost as well, and though her heart was not as king she is wealthy, richer than I am, so I shall go and live with her. But since you were to be my wife and I have no more use for this house and its servants, I bestow them upon you as a parting gift. I am sorry to leave you; you would have been a wonderful wife and mother if your father had not yet died. Good-bye, and I wish you fortune, for Heaven pities those in need." And so the merchant left.

That evening the daughter packed a bar of soap, some food and an extra bit of clothing into a bag, and tied a green ribbon about the top of the cage in which she kept her warbler in, and put the house under the control of the head servant. "I will leave now," she said, "for I have no reason to stay." So she climbed onto her horse and left.

For thirty days and thirty nights she rode through the towns, looking for work. Finally she came to the residence of an old woman, who said to her, "I have no use for a servant; however, there is a king who lives over yon valley. He may have something for you to do." So the girl thanked the old woman and rode another day and night to the palace. There she rode along to the back door where a servant boy was emptying a sack of carrot peelings into a bucket f pig slop.

"Good morning," he said when he saw the girl.

"Good morning," she replied. "I seek a job; do you have any to give?"

"Certainly," the boy said. "I shall tell the cook."

Soon the cook came out and looked the girl over. "You certainly won't do to serve the king," the cook said. "Your face is too homely for that. But there is a lovely girl who sweeps the ashes who can do that. Will sweeping please you? You will receive one silver piece a day and a loaf of bread, but we have no quarters to let you rest in. You may have the cupboard between the kitchen and the main palace. Will that please you?"

"It will indeed," replied the girl, and put her horse into the stable, and moved her belongings into her cupboard.

So she worked. The old ash-sweeper became a server, and the woodcutter's daughter became an ash-sweeper. So she worked and lived happily in the palace for a while like that.
-End of Part the First-
Also, happy Fourth for all of you Americans out there. Enjoy the fireworks!

Wednesday, June 26, 2013

Spontaneous Parts

Hello again!
Summer holidays for my school, and I'm super excited for it. So I've been celebrating a lot by doing the following:
1. Making peanut brittle: I undercooked the first batch, burnt the second and third, and finally got it right the fourth time.
2. Making rhubarb sauce. From organic rhubarb. YAY!
3. Making iced tea. Organic as well.
4. Looking up sheet music for the piano, which I have been playing for a while.
5. Making up poetic names for my friends.

I also have the habit of writing random bits of stories in this amazing program called Microsoft OneNote. It's very organized. Here are some now:

1.

Humans, as my father says, have a funny way of thinking about Time. They believe that Time can be measures by a strange metal device that makes a rhythmic, hard noise or with a funnel containing sand. Some have even gone as far as to try and turn Time into an equation, or a string of numbers, or a graph. But humans have a funny way of thinking about a lot of things, like what they call Science and what they call Religion. Luckily, humans are not entirely stupid. That would be bad for the world, and bad for Us. We know a good deal about humans, and have a lot to do with them, and they know nothing about Us, which puts Us in a good position to give them a little push in the right directions. That's what Father says, anyway. He says a good deal  about humans, because as Timekeeper's son he has to make trips to the human world to make sure what humans call time isn't too far from the real thing.

The Real Thing is not easy to describe, of course. To try and put into words something that was not meant to be is foolishness, like planting seaweed in the desert; it never lives, never thrives and is forgotten forever. All I can really say is that it holds a lot of things in the human world together; puts it into perspective, as it were. Humans always seem to think best in a place where there is Time, which is kind of an illusion because Time is a place, not a thing. The closest a human mind could get to Time is a garden: a place where things grow and are beautiful. The Timekeeper, now my grandfather, humans would say, is the gardener. My father is the oldest of his five children and when my grandfather passes unto the Next Garden my father will be Timekeeper and my eldest brother, Edwin, after him.

Don't be mistaken: the Timekeeper is not own Time; He owns Time, the One who also owns the Next Garden, but He is the keeper of that one. The humans have heard of Him, mostly, and some accept that He exists and some don't (humans are messy that way).
 
2.

Jack sat back in his chair and grit his teeth. "Sir," he said to the Marshall as calmly as he could manage, "if you have any doubts about my sanity, my doctor can personally assure you that there is nothing wrong with me."

"Oh, I have no doubts about your sanity, Roberts. I have doubts about your intelligence." The Marshall took another sip of coffee. A rather awkward silence followed. "There is no more that I have to say to you, Roberts, except that you are now demoted to the rank of Intern."

"What?" Jack's voice trembled with anger. "But I have been working for the Underground for over ten years!"

"Roberts," said the Marshall sternly, "I cannot let mistakes such as yours be the face of the Underground. You will be working under Agent Troy."

"Marshall, Troy is an idiot. You can't-"

"I can, Roberts. You are dismissed."

"Marshall-"

"You are dismissed, Roberts." The tone in his voice made it clear that the topic was closed for discussion.

Jack stood up. "Gladly, sir," he spat.

The Marshall turned in his chair and faced the window. "Good-bye, Roberts. I hope that working under Troy will help you learn some respect."

Jack didn't reply. The door slammed as he left. The Marshall took a cigar out of his drawer and lit the end with a small match. He picked up an envelope from his desk marked "Marshall Trent Gardener Johns" and slit it open with a letter opener, using a letter opener with the letters ARK carved into the end. He read the letter, fingering the gold seal that was stamped next to the signature. "Oh, Roberts," he whispered, "you don't know, do you? You don't know the danger that we're in."
 
3.
DO NOT BE ALARMED
if upon entering you feel any of the following sensations:
-elation
-ultimate joy
-a rising in your chest that you have never felt before
-et cetera
ALL OF THE ABOVE SYMPTOMS ARE PERFECTLY NATURAL FOR ONE WHO IS PREPARING TO CROSS THE THRESHOLD INTO A BOOKSTORE
Thank you, and have a lovely day.
 

And I mean it! Have a great summer! Hopefully I post between now and September 21st.
Hopefully.

Saturday, June 8, 2013

The Lake's Heir (Part Two)


The midwife sat bolt upright in her bed. Something was pawing at her arm. When she glanced down to see what it was, her cat, Pip, was licking her skin gently. The sunlight streamed through the cracks of the wooden shutters on the window above her bed, turning Pip's dull brown fur into a spritely amber. The midwife climbed groggily out of bed and threw open the shutters. The half-morning³ sun sprinkled its bright rays through the dark green conifers that provided a thick carpet of needles on the ground and a well-woven wall of trees around the house for about half a mile.

 

The midwife began to cook her breakfast. She thought about her dream. It was strange, and she couldn't figure out why. As she sat down with her oatmeal she noticed it: she had seen the dream from the eyes of an onlooker, the small boy and the nurse -what was her name? - Nireä. What was Nireä? A strange creature for a strange dream, the midwife decided. She couldn't dwell on it. It was odd, yes, but that may have been because of the events yesterday, with the missing baby and Olyhin, his mother. But as she began washing her now-empty bowl, she realized that she didn't really want it to be a strange dream.

 

She went to the village that morning to buy a few special herbs from the apothecary, Ulla, that had been treated for helping with childbirth. As she was there, she told a short summary about the dream, but omitted the part about the portal and the other creatures. That was something that she could not talk easily about for now. It needed some thinking. When she finished, Ulla gave a soft laugh. She was far older than the midwife, well into her hundreds and with only a half of a mouth of teeth. She cracked her knuckles and pulled some herbs from a drawer in the wall behind her.

 

"Take these to child of Lake. Feed him with good food. Clothe him well. Give him Ulla's leaves when ready."

 

The midwife sighed. The old lady was rather frustrating sometimes. Some called her a seer, and heeded her words, but others thought that she was a madwoman who needed some severe help. Most of the help involved hitting her over the head very hard. "I will not see him, Ulla. He was only in a dream."

 

"Aha!" cried Ulla. "You thinks that Ulla is crazy, eh?" She chuckled. "All people thinks that Ulla is crazy," she said, and threw her withered hands in the air. "You wants Ulla to go crazier? Huh? Ulla is fine, fine." Ulla jabbed a finger at the midwife. "You needs to trust Ulla. Trust her. Take the leaves to Lake boy, and then see that Ulla can be trusted."

 

The midwife sighed again. " I will." She reached into her pockets. They were empty except for the packet of herbs that she had already bought. Her face flushed. "I'm sorry, Ulla," she whispered. "I haven't any more money."

 

Ulla snorted and shoved the leaves into the midwife's hand. They were ten of them, small and charred. "Ulla give leaves free to you. She has no use for them." She collapsed into a rocking chair behind her. "Little Ulla, only…" She trailed off and began to count on her fingers. "One, two three," she muttered, and then shouted, "Six! Ha, ha! yes. Little Ulla, six years old." She sank back into her chair.  "She played in a meadow with her brother. Brother says, 'Ulla, you must stay here and I help your mama with things.' Little Ulla says fine, and brother goes off to do work. Then Lady comes to Ulla. Lady holds out leaves to her, and they are greener than they are now. Even a bit blue. 'Take care,' says Lady, 'and give to who I tells you too. Do not loose. They be burnt, but that will help.' Little Ulla says fine." Ulla shook her head. "Little Ulla do not know that talking to unknown Lady is bad. But Little Ulla keeps her promises, oh yes. She give to who Lady tells to give to." Her eyes took on a faraway sort of stare. With a shiver, the midwife saw how very alike she and Olyhin looked. "Lady come to Ulla last night. Dressed in blue, feet not seen. Webbed fingers. Lovely green eyes, crown of coral. Beautiful, beautiful. Had a pearl necklace. Gave it to Ulla. Said it was time. Said to give pearls and leaves to the person. Ulla ask her who it was. She says to me that Ulla knows. And she does."

 

Ulla stood pulled a string of five pearls, all a pale blue, from the folds of her cloak. They were upon a white ribbon, which complimented their hue. "Ulla gives to Rhoda. Rhoda takes the leaves and pearls. And uses them." She put the pearls into the midwife's hand.

 

The midwife drew in a sharp breath. No one had used her name for years. To the people on the village, she ceased to be Rhoda. She simply was The Midwife.

 

But now she knew that she would have to become more than either of them. The father of the child in her dream said that a messenger would come to the house of the person that his son would be going to. But who was that? Was it her? She certainly didn't think that she would qualify: she was old, cut off, not exactly rich. Her husband had died long ago, and she had no children of her own. Why choose her?

 

"Ulla," she murmured, "are you sure that I am the right one?" Rhoda pulled the herbs back out of her bag. "I do not think that I am the correct person. These belong to someone else."

 

For a moment, Rhoda thought that Ulla would slap her. Her face was hard and rather angry. "Ulla have been alive for longer than your mother, and her mother, and…" She paused and put up her fingers again, counting. "And her mother! Three generations! And you knows that you are no young lady no more. But Ulla know, oh, yes she does. Ulla been taught to tell good from bad!" She lifted a handful of herbs. "Apothecary's job, oh yes it is! Tell right leaf from wrong one. You see this?" She took two leaves  that were seemingly identical and held them up. "Which one do you give to little girl with tummy ache? Eh?"

 

The midwife bit her lip. This was not her strong point: she helped with childbirth, not sickness or everyday pain. "The one on the right?"

 

Ulla turned so that she was facing the leaves. "This one?" She shook the leaf on Rhoda's right. Rhoda nodded. Ulla cackled.

 

"You give this one to little girl, her insides turn to mush. Rhoda should not give little girl this leaf." Ulla relaxed, as though satisfied. "Ulla know which leaf is right, which one is wrong. Ulla also know which person is right, which one is not. And Ulla has only made one mistake, only one, giving leaves to wrong person. But Ulla learned, oh yes. She learned well. And Ulla has not made mistake like that since." She waved her hand, indicating that Rhoda leave. "Go. Ulla fulfilled her position. She is ready…" Her eyes clouded over, and she murmured, "Ready, oh, yes, she is…" Ulla sat in her rocking chair. For a moment,  Her eyes, once old and colorless, were alive, flecks of green appearing where there was once a mottled grey. Her cheeks grew pink, and the wrinkles in her face didn't seem to be so deep anymore. Her hair grew darker. She looked young, Rhoda realized.  Not like the old Ulla who was the joke of the village. But when Rhoda blinked, the old lady appeared to be old again, but more weary this time. "Go, little one. Go and fulfill your position."

 

"I… I will." Rhoda turned to leave, mostly to humor the old lady. She had no doubt that Ulla was dead serious about this matter, but she wasn't sure if it could be possible. Besides, she added to herself, it was only a dream. It couldn't be real. It just couldn't be. But Rhoda didn't add that to her sentence. Ulla may explode again. But before she reached the doorpost, a thought occurred to her.

 

"Ulla," said Rhoda, "what exactly happened to the person that you chose first?"

 

Ulla's eyes locked with Rhoda's. They were sad, ancient. "She died," whispered Ulla. "In fire. Ulla go to save her, but no more lady. Just ashes, and leaves." Ulla looked away and out the window. "Go, child. Go and do what you were meant to do."

 

Rhoda could barely refrain from gulping. As she closed the door behind her, she could feel Ulla's eyes on her back. The herbs in her pocket seemed heavier than usual, and when she reached in and felt them, ten leaves, all on one thin branch, thin and papery, warmed her fingers, as thought they had just been pulled from a fire.

Thursday, June 6, 2013

[Please read below]

Hello again. I have been not posting lately, and I realize that it must be annoying to some of you.
Very annoying.
And since you have all been faithfully reading my blog, I will try to respond to that. Here goes:
A contest
by the order of
P. Inkwell (don't laugh - can I help it if my name spells Pink Well?)
to determine
the [insert an ability here] of
all who read this Message
to go and make up horrible puns
and post them as comments.
The worst pun shall win a prize
of a story of their choice.
May the worst punner win.
 

As you could probably see, I am pretty bad at making up rewards. Ideas are welcome.
Thanks.
See you later.

Monday, May 6, 2013

The Lake's Heir (Part One)

Haha! Finally! A fantasy story that will make at least (partial) sense! Please let me know if you would like me to continue writing this story (if it is any good, et cetera). Footnotes at bottom.


It was dawn. The midwife pushed back a strand of hair from her face, and watched the sun rise gently over the lake. She could see where its name came from; it was painted a pale, dusty gold by the gentle rays. Through the window it was dazzling, but inside the small thatch cottage it only illuminated the pain upon the face of the woman in her bed.

 

"Is… is it a good day?" she croaked. Her hands were carelessly strewn  on either side of her. A faraway expression filled her eyes. "Is it a good day for him?"

 

"Aye," said the midwife. "Aye, 'tis a good day. He will grow strong. That is what they say of the young who're born at daybreak." She paused. "Where is the lad?"

 

The woman lifted her hand, sent it in twirls in the air. "With his father. His father took him. A few minutes ago. When you were -" the woman fell into a fit of coughs, then recovered, "- were cleaning."

 

"His father?" The midwife was puzzled. No one had come or left the room, and the cottage was unvisited for the last day and night she had stayed there. The midwife had come because a villager in a nearby town had told her of a very pregnant woman in a house near Golden Lake. When she arrived the woman had been very peacefully sitting in a chair behind the house, overlooking the lake. There had been no activity except for the birth of a healthy, round-faced baby, a boy for sure, with bright eyes framed in blond lashes that matched his hair. "His father did not come."

 

"He did. He certainly did. I heard him come, I saw him. Dressed in his fine Spirit's robe he was. Took him away to his house. 'I'll come back,' said he. Then he left and you came back inside." The woman coughed again, but this one was more resigned, weakened. "He named  the child Arnoch. The Returner."

 

The midwife paled. "A nymph-man came? One of them who's always in the stories? A warlock?" She paused. "He gave your son a nymph name?"

 

The woman merely looked happy. Her face no longer was pain-laden. It had the image of peace on it. "He lives in it. He'll take care of our boy. He will."

 

"It?" questioned the midwife. "What is it?" She paused for a moment. "Who are you?"

 

The woman didn't answer. Her eyes stared up at the ceiling, as though searching for something in the heavens.

 

The midwife sighed. She had seen too many deaths in her time. Not just of mothers or their children, but through sickness. Her father was an apothecary. She should know. The midwife spent the next day tidying up the house. All the while she kept her eyes open for the baby, for after all, she reasoned, he was too young to walk or crawl, and the woman was certainly delirious. No nymph-man had come. By the time the midwife left the house to go to the village nearby and find a suitable gravesite for the woman she had convinced herself that there was no visitor. But that left an uneasy question: what had happened to the child?

 

She hummed along the road that she walked, pondering the incident. When she reached the village she asked everyone there who the woman was. By midday she had gathered that she was called Olyhin1. She had lived in that house from childhood and was always a bright, happy sort of person. Lately, people said, she had begun to have gotten queer. She would disappear for years on end, but never use the main roads, and when she returned would have not aged a day. Her head was always in the clouds, and her face dreamier. The midwife told no one about the disappearing baby, and when people asked about the childbirth she simply replied that it went well. No more details were provided.

 

The midwife returned to her own house that day, on the outskirts of the far side of the town, away from the lake. It was a sad place, she realized, because there was no child. Her own husband had died years ago, and she had never been able to bear children herself.

 

That night when the midwife went to sleep she dreamt of a forest. Scrambling through it child of four or five years. He was with a tall, dark-haired man in a simple velvet tunic and black boots. He held the boy's hand and they seemed to be running somewhere, the father's long, brisk strides being met with equal speed from the small scurrying of his companion. The child was tired, and eventually the man had to scoop him up and carry him. The forest was made up of dark trees that wove into such thick a canopy that the midwife couldn't tell whether it was day or nighttime.

 

"Where are we going, papa?" asked the child.

 

"To a safe place." The reply came smoothly; no gasps for air punctured the sentence.

 

"It is not safe at home?"

 

"No."

 

"Why?"

 

The man's face fell slightly. He did not want to speak of such a delicate matter with the boy. "I…" He trailed off. "There are dangerous people coming. Very dangerous."

 

"But where are we going?"

 

A gloomy expression flew across the face of the father. "It is near where your mother lived."

 

The child's eyebrows furrowed. "I don't have a mother."

 

"You do."

 

"Where has she been all of these years?"

 

"She's dead," said the father, rather curtly.

 

"Oh."

 

They finally came to the edge of the forest. It seemed to be some sort of port, deserted from any living activity, and a small canoe bobbed in the water. The water was clear and blue, like tinted glass. It seemed to be just before dawn, for the sky was a pale blue but no sun had peeked over the horizon yet. There was no end to the water; it kept on going on forever without end. Small waves wove through it, and the father picked up the boy and put him into the canoe. His anxious expression cut wrinkles of concern into his face. He began untying the rope that held the canoe to the dock.

 

The child looked up at his father, concerned. "Aren't you coming, papa?"

 

"I…" he stared into the eyed of his son. The midwife saw love in them, a deep, undying love that was streaked both with pain and joy. "I cannot go."

 

"Why?"

 

"It is less safe there than it is here. For me, anyway. Nireä will lead you. She knows the way." The final knot had been undone. The father looped it around his arm, quickly. He did not stop talking. "When you get there Nireä will take you to a small house. I have sent a messenger to the person who lives there. She knows that you are coming. To her world, anyway. When you reach there, ask her what the name of your nurse is. If she answers correctly, give her the letter in your pack, the one with green wax. Giver her the one with the red wax, too, but giver her the green one first. She will know who you are. Tell her your name. Stay there until…until it is more safe."

 

"What pack?" the boy asked.

 

"There is one in your canoe."

 

"Where are you going, papa?"

 

The father opened his mouth to reply, but was interrupted by a great screech that pierced the air. It came from the woods.

 

"Quick!" he cried, and shoved the boat away from the shore. "Nireä! Take him there!"

 

A ripple formed in the water, and a scaly hand appeared out of the water, beginning to pull the rope attached to the prow of the boat in the direction of the gradually rising sun. The hand dragged it slowly, but with increasing speed.

 

"Papa!" the boy screamed. "Papa, when will I see you again?"

 

His father shouted a reply, but it was lost when a dark shadow reached from the forest and pulled him back.

 

"No!" the boy cried, and started hitting the boat. "Papa! Turn back, Nireä, turn back! Papa!"

 

"I cannot," Nireä replied. Her voice was sweet and low, with an echo effect as though multiple people were speaking at once. "The orders from him were clear: get to the other place at any cost. This, I'm afraid, is a great cost."

 

"You don't care about him!" the child yelled. "You don't care a bit about my father."

 

"I care enough to carry out his orders."

 

The boy sat down in the boat, cross-legged and stiff. "You are by far the worst nurse ever to walk - or swim, mind you - upon the earth."

 

"If that means keeping you safe, so be it."

 

The child did not reply.

 

An hour passed. The his eyes were red from crying, and he grew hungry. The land was not visible anymore, and Nireä kept pulling the boat straight ahead, always in one solid direction. He dug through his pack and found the letters in envelopes, one sealed with green wax and the other with red. They were stamped with the seal of the Lake-people. There were also a few oatmeal cakes, still slightly warm, and a bottle of milk. Nestled beside it was a small book and a change of clothes. In an outside pocket was a small pocket knife, a box of sulfur-matches with a few candles and a compass, with the "R" for rith2 painted on with gold leaf. He nibbled at a cake. It was crisp on the outside, but soft and moist and heavy past the crust. He wrapped it up and put it back in the pack. It tasted of home, and that made him loose his appetite.

 

It was noon. The boy was napping in the boat, waves licking the sides. Nireä  pulled on, and the endless sea provided no land, not even a stone. Suddenly, Nireä yanked the boat in a sharp downward direction. It sank beneath the waves, boy and all, swallowed by the water.

 

The boy woke. The atmosphere changed suddenly, much cooler and peaceful than the harsh, merciless rays of the ever-beating sun. He sat up and looked around. There was a rich turquoise shade in the background, beyond the place that he could see. There was no life, no fish or small shrimp, just the water and the sun's light dancing through it in silver webs.

 

"How can I breathe?" he asked aloud, but then soon found the answer. Around the boat there was stretched a bubble of air. The boy put his hands together. They were dry, and so was his pack.

 

"Your father has paid for a safe passage to the Lake. A great deal of gold; the Lake is grudging to allow survivors pass through its clutches," Nireä said, answering the boy's unasked question of how the bubble came. "Do not put your hands outside the boat. It will create holes in the shield and it will dissolve. Do not light any candles, either."

 

"Why?" It was his favorite question.

 

"The fire eats the air, and belches smoke. You cannot breathe smoke."

 

"Why?"

 

"Because. You are a Human."

 

"Why should that matter?"

 

"How should I know?" Nireä snapped, rather exasperated. Instantly she regretted it. The child was annoying sometimes, but he was lovable.

 

The boy and Nireä traveled downward in silence, always down, until the sunlight faded from the area above. The water became black as pitch, the air heavy. If the child knew about water pressure, then he would ask about it, but Nireä was quite glad that he didn't know enough to do that. The Lake, though did not like people living through the experience of moving through it, did its job thoroughly. Nothing would harm the child. Nireä's fingers tightened around the rope. The child would not be hurt. That was not what mattered. She had volunteered to come protect him. It was not the Master's decision. He had not wanted her to go. But she had to let the boy be safe. He had to make it safely to the Other place. Then the mission would be accomplished. Then it would be done. Nothing could hurt him there. Nothing except for…

 

Nireä shook her head, pushed those thoughts from her mind. They would distract her from her duty. She felt the pearls around her neck. They glowed slightly blue, just enough to let her see her hand in front of her face, a ghostly pale shadow of long, wiry fingers with thin  strands of skin webbed between them. Good hands, she thought. The pearls grew brighter as they made their way closer to the portal. It would be about three hours after noon on the surface. There was no life in the sea, only water. The Lake did not like living things. It had long ago done away with the plants growing in it, then watched the other, greater creatures slowly die. The bodies did not rot. Instead they were swallowed by the Lake, not to eat, but for whatever dark mage that inhabited it to… use. Stories, legends, that was all. It was said that a wicked magician had built a palace of bone in the heart of the Lake, and was served by animated bodies of what once were sharks and fish and other creatures that once lurked in the depths of the water. But, Nireä reminded herself, the palace, no matter how real it was, could not be in the center. The pass was there, and she and the child were drawing near. The pearls' light was becoming stronger. Nireä peeked back into the boat. It appeared that the child had fallen asleep.

 

A speck of light appeared in the darkness. Nireä let out a sigh of relief. She had been waiting for that light for hours. A few minutes later he speck seemed to be the same size, but the pearls were becoming like small candles upon her neck. Nireä looked back at the boy. He was sleeping and breathing peacefully. She had seen him like this, but instead of in a bundle of silk sheets on a feather mattress, it was a small, cold child, laying wrapped in a thin jacket. He looked plain and sad, thought Nireä, not like a prince should. She turned back to towing the boat. After about an hour (Nireä had begun to loose track of time) the light was as big around as her head. It was pulsing and a pale blue-grey-white hue that was indescribably bright. It matched the pearls on her necklace, which were now miniatures of the light up front. Nireä swam back to the boat and looked at the child. He was still asleep.

 

"Orendoth, child," she murmured. "Orendoth, wake." When he didn't hear, she said it louder: "Wake up, child."

 

The boy yawned. "What is it, Nireä? Who are you talking to?" He sat up and drowsily rubbed his eyes.

 

"You, child," Nireä choked. The name stuck in her throat. Orendoth was not his true name, but if the new caretaker knew… She would not take him in. There was too much sadness in that name.

 

"But I am not called that. I am called something different," the child protested.

 

"You will be called Orendoth now. It is a good name. Your caretaker will tell you what it means."

 

He was not satisfied with that answer, and Nireä knew it. He frowned and said, "Why did you wake me?"

 

"We are nearing the bridge," replied Nireä.

 

"A bridge?" The child was puzzled. How could there be a bridge underwater? Where would it go to?

 

"The bridge to your new home. To a safe home."

 

The child did not reply. The light up ahead grew quickly, and was soon twice its past size. Suddenly the boy said:

 

"I want to see my papa again."

 

"Child," said Nireä as gently as she could, "it is not the time to be concerned about wants. We are passing through dangerous waters."

 

"But my papa…"

 

"Your papa is fine right now." Now Nireä was nearly to tears. She hated lying, even to the child, but she said that not just to him but to herself. It was a reassurance.

 

The boy pursed his lips. "He is not."

 

Clever child, thought Nireä. "You must trust him to protect himself."

 

He again did not reply. Soon a small hum began to vibrate the water. The bubble rippled softly as the ripples reached it.

 

"What is that?" the boy asked.

 

"The gatekeepers," said Nireä. "They are singing."

 

"Do you know them?"

 

Nireä nodded gravely. "They are my cousins. Our mothers are sisters."

 

"Will they let us through?"

 

Nireä took a deep breath. "They should."

 

As they drew closer the humming grew louder. The tune was indescribable, sometimes high and sweet, sometimes low and sad. The song sometimes broke into harmonies and canons, but mostly it was one united, throbbing melody that cleared the water from a blinding darkness to a blinding light.

 

Five small figures were dancing around the light, passing in front and behind it in some kind of synchronized formation. Their hair billowed about their shoulders. At their ribs the vaguely humanoid body stopped and morphed into a tail. The meeting place was seamless, but that may have been because they had no skin. Instead the figures varied from deep blue to pale green. Coral wreathed their foreheads and gauzy clothes adorned their arms and torsos. Their fingers were webbed like Nireä's, but they had sharper nails, a few centimeters long.

 

Finally the boat was near enough the light so that it was now a huge sphere twice the height of the boat's length. Nireä called out to the figures:

 

"Arandè! Arandavyn! Arandret! Arandoël! Arandalea! My cousins!"

 

The singing stopped, and the water became eerily silent. The only thing that moved was the buzz of the light. Now that they were closer it was clear that their skin was of small scales, linked like chain mail and progressing larger until they were the size of one's fingertips. Five sets of eyes were fixed on the boat and Nireä. The one closest to them had pale turquoise scales and a solemn face. When she opened her mouth her tongue was blue.

 

Nireä, she whispered. The words were thick and heavy. They rolled off her lips and filled the air with the sound of vague hissing. You have been exiled. You are no longer welcome past the Gate. We must not let you through.

 

Arandè, replied Nireä, I come not on my own accord. I have been granted a safe passage through the sea, and the boy and I shall go where we have been ordered.

 

Arandè stared at the child in the boat. Her forest green eyes bored into his mind, and it seemed as though she had seen every moment of his life, from his dreams to that time that he stole an oatmeal cake from the kitchen. He shook his head and ducked, so that the eyes wouldn't find him.

 

So this is the child, Arandè hissed. He cannot cross the bridge. He cannot go to the other world. The Gate is closed to him, and to you, Nireä. Turn back, and perhaps He will spare you. Turn back now.

 

Who is He? Has He any authority? We shall not turn back. We shall pass.

 

The royal blue creature swam forward. Is this the traitor? she said. The one who condemned us?

 

Your punishment was well-earned, growled Nireä. Let us pass, and we shall go in peace.

 

You cannot go. It is forbidden, said the royal blue one.

 

By whom, Arandoël? You have not the power to obstruct me. Nireä's fingers tightened around the rope. The child poked his hand over the rim of the boat. Why couldn't they just go? What was holding them up? And what had his nurse done to make these things hate her so? We will pass. Nireä began to tow the boat forward.

 

The remaining three - what were they called? - gatekeepers put their hands at their waists. The child saw sword handles on their hips, long, thin scabbards hanging off of a strap slung from the opposite shoulder. You shall not, they said in unison.

 

We shall! shouted Nireä, and rushed forward, her own sword drawn. Things moved so fast that the child did not have the time to think that he had never seen Nireä with a weapon of any sort before. The others hissed loudly and backed away from the blade.

 

Onbrunot! one cried. Darkslayer!

 

You need not fear it if you stood for light, Nireä shot back. I'm afraid that you haven't, not for years and years.

 

Nireä! Arandè's eyes flashed with fury. You shall pay for your treason! Her hands became engulfed in spheres of flame. They burned a bright blue with a black center, red licking the edges.

 

Nireä's face paled quickly, and her pace slowed. The Dark fire. You wield it!

 

Arandè sneered. So what, cousin? Who told me that I couldn't? Your dear master can't do anything now. He is going to consume the land. It will all become a part of his domain!

 

Arandè, Nireä warned, you have turned, but do not think that you can't turn back. It will be your downfall.

 

Nireä! her cousin laughed. You speak so lowly of us. But you are not so different. Not so - what is the word? - unlike. We do as we please! The hands of her sisters erupted in fire as well.

 

Nireä yelled an incomprehensible phrase and charged to the light up ahead.

 

A horrible screech echoed through the water. The child couldn't tell who it was, whether it was a gatekeeper, or Nireä, or even himself. All he could feel was an icy bucket of water being dumped on him. He screwed his eyes shut, and gritted his teeth, but he could still feel the searing pain of light shoving its way into his brain and overwhelming it with a shock of brightness. He tried to take a breath, but all that entered his mouth was water. He coughed it up, only to have more come in.

 

"Nireä!" he gargled. "Nireä, where are-"

 

His head broke through the surface of the water. Nearby the boat he had ridden in was bobbing upside-down. Nireä was nowhere to be seen.

 

"Fool of a boy!" A pair of strong hands gripped his elbows and pulled him out of the water. He was dragged a little bit along the ground, his vision a bit foggy.

 

"Who are…" he murmured.

 

But when he tried to look at the face, he could only see a blur of skin and hair. He couldn't even see if it was that of a man or a woman. Then they faded to black and he passed out.
 
¹This is a feminine name meaning (essentially) "grace".² Rith is kinda like North. It's complicated, suffice to say that it is "up" on most maps.
Also, there may be a third footnote. If anything doesn't make any sense, then please tell me. It'll explain it. Unless it's a spoiler.